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pernilla mp3 needs a drummer and a bassist! (from andrew) hylo. it appears iax is getting some street cred. lately, i've been wondering if a diff "model" would work for a band. i'm not an anal rehearsal junkie, i never have been. i think one or two days of rehearsing has always been good enuf for me. if i can manage it, i'd like to be in oslo, norway. why? bc norway is a good country. however i could imagine being bandmates w/ two a$$-kicking girls from anywhere. gigging locally is always nice but i'm not sure playing a set in oslo every 2 weeks is ideal. jumping in a van, however, to tour around a bit is quite fun, so basically you'd just need to think that flying somewhere to start a tour after a few rehearsals is fun (i think this works but not sure). anyway, on stage i don't want ppl to look at me. that's bc i look funny. everyone will look at you instead! o, happy day! ttyl drummers: are there any female drummers out there looking for a band? my main criteria is precision about where the beat is and how accurate you are about it. if interested, find me :) bassists: the ideal fit is a female bassist who loves music and is looking to challenge herself. the bass parts are not that easy so we can sit together and work through them one-on-one. if interested, find me :) q: why only women? a: i am tired of being "alpha'd" or amogged or w/e you want to all it, so fuckoff. q: what if someone asks, "did you write the songs or someone else?" a: maybe you could say, "actually someone else in the band wrote the songs." q: thoughts on getting signed? a: my guess is that they'll name a favorite/favorites and divide the band, or subvert status w/ lineup changes (they seem to hate us already but w/e). q: isn't there a lot the labels can do to bust up the band's flow through foul play w/ technology? a: i completely agree, 100%. do you have any ideas? q: thoughts on gear? a: this is an interesting one. obviously, the gear you choose is 100% up to you. i'm pretty particular abt this stuff but that's just me. here where it gets interesting: i think you may already have endorsement potential! this is bc i get the sense that the mi (musical instruments) industry is trying to keep us out, and in the bigger music industry picture, there is foul play w/ destruction of build quality. this may or may not include guitar center, some newer fenders and/or gibsons and maybe even ebay/paypal and others, on behalf of bad musicians who can't win fair and square (w/ skill, style and maybe even some swag!). this means that if you are in the band or are even known as a fan, maybe musical instrument ppl could be paid anywhere from $1k to $1bn by shady ppl not to give you any form of service. the humor is, this of course is only amazing free marketing for us as super-music-people! so then my guess is that the gear you use could be something in itself, rly. alternatively, why don't we just start an iax online store for musical instruments that don't sound like "moist a$$"? q: what's w/ all the side stuff under the "experiments" tab? to me, these are more-or-less like "side quests". so say, for example, you have some ideas abt the industry, we can build something to "do it", or, you have good ideas abt the online store i mentioned in the last answer or maybe the "label" aspect of the band, then you can easily take it and become the ceo of this particular aspect (ppl seem to like the term "ceo"), i don't rly care, what i care abt is whether or not you care abt it, and if you care then i don't rly care! at this pt assuming you are a woman i would guess something interesting abt france and then that would be cool too bc then every1 wins. as for the $$$ part, i don't rly care too much abt that either as long as i have a bed and some spaghetti. q: what abt the band image? idk, you tell me. q: ppl who feel like they're from the industry are starting to weirdly approach me. what do i do now? music is life and death, it's not that trivial. imho these sorts of shady scenarios should be reported as loudly and violently as possible. my thinking is that if you take the $$$, your family and every1 you are associated w/ could be slaughtered for a few generations. alternatively, if every1 knows you called out the bs, the sky's the limit and there should be various opportunities for you (in the long run). anyway, if they seem to be so intent on owning you, why not own them? q: did you know some call you the best guitarist from nyc? i don't even have a wiki or a bassist or drummer! :) q: what do you use for production and how did you learn it? i use logic. q: how are we going to pay for touring? do i need to be rich or something? ha! i would hope you are. :) well i've been thinking abt touring bc it's sort of expensive, you need a van and motel rooms and things, and also, gas and something to eat, and then if the van breaks down bc you didn't pay enough for one (you get the idea), etc. well i basically have no $$, but anyway right now i'm thinking that ppl just wanna hear more tunes, and then we'll go w/ the flow. in other words, expect me outputting another double record by mid-2017, as long as i can manage to actually get some working guitars and amps here in new york :) q: well how do you plan to make $$? i want to build a brand called "wagnyr music". the problem is, i sort of don't think anything shouldn't be free. in other words i think everything under wagnyr music should be free. you might be thinking "hey good idea idiot no $$ then". well yeah i know but the problem is what if i am right and charging to use any of it looks rly bad? so my ideas are then a) build stettinos, a mobile os, and charge for app store downloads (10%), b) then do something creative like sign bands onto wagnyr music and sell things like trading cards and coins, c) when any of the stuff gets to "that point", then introduce $$ into it in a sensical way. q: you took lessons from wayne krantz? should i know jazz? haha that was lucky. maybe 8 or so lessons over a small nyc workshop (damn i left a nasty gig in florida early for that!), a few one-on-one (i suck), the mp3s that were on his website way back when (scales, chords, rhythm, phrasing, 4-fret primer, rhythmic imagination[!] ), his awesome instructional booklet an improviser's os (and the advancing guitarist, recommended in an improviser's os), and tons of live performances that i either dl'ed or just secretly took w/ a zoom recorder (sorry 55 bar, i'm older and wiser now). there was a gig from stockholm, sweden in 2000 floating around w/ amazing sound, i'm not sure what happened to it. anyhow my time still sucks but that could be a point of humor for the bassist i think. for drums imho anything to add to the band's flow live. if we wanted to have a sense of humor we could potentially take some stages as more of an improvisation outlet w/ a jazzy twist i guess (but only a "twist" bc i am far from wes montgomery), and that could be something cool to aspire to, bc [something-something]. q: do you use drugs? no. i personally think once you hit 20 years of age, it's more fun to practice (plus, it's not good for time). q: tell us more abt your thoughts on drugs... weren't you in berlin for a while? yeah. tons of drugs but no gfs. seriously haha so hilarious bc the ladies don't rly go for addicts like ever. so that's the thing i guess, so fun you are w/ too much drugs but then only lies and made-up stories abt hus. (just my 2 cents, anyway) q: now the ladies want you to continue on abt drug use. well, idk. drugs cost $$, sometimes tons. i did not rly have any money in my 20s. my drug was definitely alcohol, meaning my beer fund never had anything left over for literally any drug use. i just turned 30 and so i sorta think giving $$ some more thought now makes sense. in my 20s i had 2 jobs in nyc, one normal one and one weird one, a gig analyzing mainly tech stocks and an internship at roadrunner records in nyc near union sq. neither paid much but i learned a ton so i think 20s

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Domain Name: iax.rocks
Registry Domain ID: 77414a08624a4e8db1b227575f658ae1-DONUTS
Registrar WHOIS Server: whois.namecheap.com
Registrar URL: https://www.namecheap.com/
Updated Date: 2018-03-24T19:08:37Z
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SERVERS

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  ARGS iax.rocks

  PORT 43

  TYPE domain
RegrInfo
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  NAME iax.rocks

NSERVER

  DNS1.REGISTRAR-SERVERS.COM 216.87.155.33

  DNS2.REGISTRAR-SERVERS.COM 216.87.152.33

  REGISTERED yes

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